Music for the Lenten Season: He was despised from "Messiah"
>> Saturday, March 20, 2010
Anne Sophie von Otter gives one of the most touching performances of the air, He was despised, I have ever heard.

I've always loved this gorgeous piece, but never more than when it is played by the incomparable Yo Yo Ma. Sit back, close your eyes and breathe it in.

I made a new discovery as I was painting the house yesterday. Although I have owned a recording of Mozart's marvelous sonatas for piano and violin, for several years now, I hadn't paid much attention to it. But yesterday, as I painted the trim over the archway to the dining room of our new house, I was given the opportunity to really listen to and fall in love with these uncelebrated works. I realized then, that it is in Mozart's chamber works that much of his true genius is found.
I've heard several people, upon listening to the chamber works of Mozart, exclaim, "That sounds like Schubert", to which I usually reply, "No, Schubert sounds like Mozart. Mozart did come first, you know."

I challenge you to listen to this lovely duet setting of the Ave verum corpus, featuring the incredible talents of baritones Bryn Terfel and Simon Keenlyside, and not sigh or perhaps shed a tear. This is one of the most gorgeous settings of the text that I've ever heard. (Thanks Steph, for introducing this to me!)

When I heard this used in the 2005 production of Pride & Prejudice starring Keira Knightly, I thought it was Bach. Silly me, for it wasn't until I started searching for it on YouTube that I found out that it was by Purcell, as the piece used in the soundtrack, (beautifully composed by Dario Marianelli), was entitled A Postcard to Henry Purcell.
Posted here are the original version by Purcell, and the dance sequence from Pride & Prejudice in which this piece was so beautifully incorporated.

Celine Dion's early 1990's cover of Eric Carmen's All By Myself based on the second movement of the Rachmaninov 2nd piano concerto in C minor is probably the most amazing cover of any song ever. I'm not a Celine lover by any stretch of the imagination, but you have to be dead not to be moved by this amazing performance.

The C minor has always been among my favorite of the Rachmaninov concerti, and the second movement is some of the most beautiful music ever composed. Played here by the fabulous Russian pianist, Evgeny Kissin with the BBC orchestra. Put your head phones on, lean back and take it in. You'll be glad you did.
P.S. I've added the video of Eric Carmen playing his 1975 hit ballad "All By Myself" based on the 2nd movement of the Rach 2, just for the fun of it.

Zaide is an unfinished opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he should write a comic opera. At Salzburg in 1779 he began work on a new "rescue" opera, Zaide. It contains spoken dialogue, which also classifies it as a Singspiel (literally, "singing play").
Rescue operas were popular at the time, since Muslim pirates were preying on Mediterranean shipping, particularly to obtain female, and male slaves, for various purposes. This story represents a reversal, as Zaide goes to save her beloved, Gomatz. Ludwig van Beethoven's only opera, Fidelio, is cast in the same mold, with spoken dramatic dialogue, although it is a husband (a political prisoner) who is saved from death in a Spanish prison.
Mozart was composing for a German libretto by Johann Andreas Schachtner, set in Turkey, which was the scene of his next, completed rescue Singspiel (Die Entführung aus dem Serail). Sadly, he would soon abandon Zaide, to work on Idomeneo, and never returned to the project. The work was lost until after his death, when Constanze Mozart, his wife, found it in his scattered manuscripts in 1799. The fragments wouldn't be published until 1838, and its first performance was held in Frankfurt on January 27, 1866. Zaide has since been said to be the foundations of a masterpiece, and received critical acclaim. The tender soprano air, "Ruhe sanft, mein holdes Leben" is the only number that might be called moderately familiar.
Information source: Wikipedia
The following performance is by Soprano Sandrine Piau, Christophe Rousset Festival de Saint-Denis, Basilica of Saint-Denis, 2003

Featured in the 1975 epic film, Barry Lyndon, this gorgeous piece of music is one of Handel's most beloved orchestral works, and remains a favorite of professional musicians and amateur music lovers alike. This is Handel in pure heart chakra mode.

I've always loved the Brahms Requiem and this is probably my favorite movement. Preformed here by the Berlin Philharmonic and the Swedish Radio Choir, I hope you enjoy this lovely performance of one of Brahms' most beautiful works.

This is it, Ladies and Gentlemen, from the same opera that brought you the gorgeous and heart-wrenching Lascia ch'io pianga, we have yet another heart-wrenching aria, Cara sposa. Originally intended for castrato, this particular recording was made by the fabulous mezzo-soprano, Marilyn Horne.

This is one of the most beautiful duets Mozart ever composed, from his next-to-last opera, La Clemenza Di Tito, an opera he, himself, was not particularly fond of, simply because the subject bored him, (old school Italian opera seria, which he had finished with as a very young man). This duet reveals a mature composer who knew how to evoke emotion.
The characters are Annio, (female trouser role), and Servilia.
Translation,(rough):
Excuse the feelings I just expressed that I really shouldn't have (ill-advised). They just slipped out because once (upon a time) that was how I spoke to you. ie it was the fault of my lips that were used to speaking to you like that in times past. (ie old habits/feelings die hard..).
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| Lynette Erwin |
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